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Marg bar Bowden?
(A Fairly Tame Book Review of Guests
of the Ayatollah: The First Battle in America's War with Militant
Islam)
By L.P. Omid
If you want to find out why Mark Bowden wrote his latest
book, Guests of the Ayatollah: The First Battle in America’s War with Militant Islam, a journalistic account of the
events of the U.S. Embassy seizure and the subsequent hostage
debacle over twenty-five years ago, beyond the obvious financial
benefits to the author and his publisher, you wont find
the answer in the 637 page book itself. In the press packet
that accompanied the review copy of the book, Bowden answers
the question Why did you decide to write about the Iran
Hostage Crisis now? Here is his full reply:
I decided to write the book in the
early summer of 2001. It seemed to me that the forces of
militant Islam were gathering strength in the Middle East
and elsewhere, and that we were all due for a showdown with
them. To me, the heart of the menace is Iran, and the defining
episode for the United States was the embassy takeover.
I have long been fascinated by the crisis, which started
literally on the day I began working as a reporter at The
Philadelphia Inquirer. It was a huge story, and, as a rookie,
I had no part in covering it. I was sent off to cover a
small local story in north Philadelphia. So maybe the book
is my revenge.
After reading the book, I was left wondering: who is Bowden
seeking revenge against, his former employers or Iranians?
Or are the Iranian people merely collateral damage in Bowdens
personal vendetta? His choice of words (militant Islam,
showdown, menace, crisis,
and, of course, revenge) in answering this straightforward
question only scratch the surface of the verbal shrapnel he
projects in his book, perpetuating the same stereotypes that,
frankly, are at the root of the problem of U.S.-Iranian relations.
Egregiously, and perhaps self-disclosively, Bowden contradicts
the above answer with more thoughtful reasoning for undertaking
this project later in the press packet information when in
response to another set of questions [How do you think our
current problems with Iran relate to the hostage crisis? How
about our confrontation with militant Islam?], he replies:
I think they are one and the same.
The book Guests of the Ayatollah explores the roots
of the Iranian and Islamist hatred of the United States.
It is a dramatic story of captivity and attempted rescue,
but it explains the origin of the global conflict in which
we are engaged. I think that the seizure of the American
embassy in Tehran in 1979 was conceived as a small thing
with local motivations and goals, but it was immediately
swept up by an international tide of anger and hatred that
is still gaining strength today. Not even the hostage-takers
anticipated the enormous response their action would generate,
and, in a sense, became hostages to that response themselves.
If we want to understand what we are up against,
and why this struggle happened, we need to understand
what happened in Tehran in 1979. I hope this book helps
accomplish that. [Emphasis added, mine.]
It does not. In this regard, Bowdens
book is a total failure.
Bowden is a story teller, one who fortuitously
has the eye of a filmmaker. Like a good movie, the reader
is expected to get fully absorbed in the action,
to feel every agony, small victory, sense of relief, heartbreak,
and so forth, that the characters [in this case, real people,
not fictional creations] endure. In short, the reader is not
supposed to sustain a critical perspective; the reader is,
even in this non-fiction book, expected to suspend their disbelief.
Consequently, little mind will be given to the actual language
Bowden uses to describe the events. It is assumed, unthinkingly,
that the adjectives, for example, he uses are the only or
factual descriptors available to the author. The critical
thinker, the intellectual posture of the so-called enlightened
Western world, ought to ask: Is the historical event giving
itself to Bowden? Or is Bowden giving us his account
of the historical event? If it is the latter, then let us
see what understanding of Iran and militant
Islam Bowden grants his audience.
All compassionate, well-intentioned humans share the pains
of those taken hostage (or any other natural or human-caused
suffering, e.g., news of a tsunami or a school shooting).
Thus, a neutral telling of the eventsi.e., sound journalismwould
suffice to stir emotions in caring persons about the precarious
circumstances of the hostages, the trying ordeal of their
families and friends, the political strain on the U.S. government,
and so forth. But it is to Bowdens advantage to portray
heroic charactersespecially in our culture of
hero worship and cinematic idolatry. Heroes are on the side
of good (i.e., us) and without a villain or villains
(i.e., them), heroes would be rendered impotent
and meaningless. In predictable fashion [see Edward Saids
book Orientalism, 1978], Bowden pronounces the obvious
dichotomy between the forces of good and evil.
Examples abound in his massive text which vividly describe
the ordeals of the hostages, from humiliations (having to
wear underwear that are too small), to violent outbursts (beatings),
to hunger. Indeed, Bowden does succeed in reporting the blatant
contradictions between the rhetoric of the hostage takers
(describing the hostages as guests and insisting
that they are being treated hospitably) and the brutal reality
of the daily torment, physical and psychological, of the hostages.
However, in order to demarcate clear, identifiable lines of
right and wrong, Bowden stealthily interjects unproven, even
absurd commentary. What has always made the Other frightening
is their supposed chaotic actions and illogical reasoning
[see Richard Kearneys book, Strangers, Gods, and Monsters: Ideas of Otherness, 2002]; therefore, it serves Bowdens
purposes well to demonstrate that the revolutionaries (i.e.,
Iranians en masse) were irrational and unjustified. The best
example of his gross efforts to make monsters of them appears
on page 117. He offhandedly dismisses any just motives of
the revolutionaries when he writes, As tyrants go, Muhammad
Reza Pahlavi was fairly tame. This type of incredulous
statement could only be made when the author (rightly or wrongly)
assumes that his audience is utterly ignorant, and, consequently,
reduces all sympathies to collective identities. That is,
American readers ought to empathize with the U.S. hostages
and their crisis only because they are fellow Americans. The
afflictions of the Iranians, under the rule of Bowdens
fairly tame Shah, ought not be as compelling since
they are, after all, Iranian, not American. Right? Or was
Bowdens research that haphazard? Something is amiss.
Read, for example, the Iranian poet and literary critic Reza
Barahenis account of his experiences while being imprisoned
by the Shahs secret police forcetrained by the
CIA after the Shah was reinstated by a U.S. led coup of Muhammad
MossadeghSAVAK.
There were also two other iron beds,
one on top of the other, in another corner of the room.
These last two, I later learned, were used to burn the backs,
generally the buttocks, of the prisoners. They tie you to
the upper bed on your back and with the heat coming from
a torch or a small heater, they burn your back in order
to extract information. Sometimes the burning is extended
to the spine, as a result of which paralysis is certain.
There were also all sizes of whips hanging Electric prods
stood on little stools. The nail-plucking instrument stood
on the far side
. The gallows stood on the other side.
They hang you upside down and then someone beats you with
a club on your legs, or uses the electrical prod on your
chest or your genitals, or they lower you down, pull your
pants up and one of them tries to rape you while you are
still hanging upside down
. There were in the other
torture rooms worse instruments which other prisoners would
describe: the weightcuffs that break your shoulders in less
than two hours of horrible torture: the electric shock treatment,
apparently a recent introduction into the Iranian torture
industry; and the pressure device which imposes pressure
upon the skull to the extent that you either tell them what
they want or let your bones break into pieces
. First
he [the prisoner] is beaten by several torturers at once,
with sticks and clubs. If he doesnt confess, he is
hanged upside down and beaten; if it doesnt work,
he is raped; and if he still shows signs of resistance,
he is given electric shock which turns him into a howling
dog; and if he is still obstinate, his nails and sometimes
all his teeth are pulled out, and in certain exceptional
cases, a hot iron rod is put into one side of the face to
force its way to the other side, burning the entire mouth
and the tongue
. At other times he is thrown down on
his stomach on the iron bed and boiling water is pumped
into his rectum by an enema.
Other types of torture are used which have never been heard
of in other despotic systems. A heavy weight is hung from
the testicles of the prisoner, maiming him in only a few
minutes
. In the case of the women, the electric baton
is moved over the naked body with the power increased on
the breasts and the interstices of the vagina
. Rape
is also a common practice. Thirteen-year-old girls have
been raped in order to betray their parents, brothers or
relatives. (Reza Baraheni, Crowned Cannibals: Writings
on Repression in Iran, 1976)
Quite tame, indeed! Or, is Bowden employing
the ever-so-present logical fallacy popularly dubbed the Argumentum
ad Hitlerum; i.e., the Shahs orders to torture innocent
Iranians pale in comparison to other despotic rulers, namely
the arch-tyrant, Hitler.
In his Epilogue and as indicated in his reply quoted above,
Bowden equivocates all actions in the Islamic world as militant
Islam. Has Bowden not heard of making an argument? One
cannot merely assert something as true; one must make the
case that it is true. He forgoes the premises and jumps right
to the conclusion, surely violating even the most
basic principles of objective journalism. Formal argumentation
requires more than a series of anecdotes. Bowden assumes his
audience knows the basics of Islam, that they are aware of
the various schools of Islamic thought, that there is a consensus
among scholars or practitioners, even, of what militant
Islam is, and so on. These are empty phrases without
definition and authentication. Bowden, consequently, fails
to make an argument, but relies entirely on the power of words
and the images they paint to tug at the heartstrings (not
appeal to the reason) of his audience.
At the heart of the matter is Bowdens
willing participation in the Orientalist legacy brought to
light in Edward Saids magnum opus written and published
before the 1979 Iranian Revolution even occurred. Saids
scholarship does not stand alone, either, as many other scholars
and critics have contributed to the thoughtful dialogue on
Western-Iranian/Islamic relations. But Bowdens work,
echoing the popular discourse on these issues in our media,
ignores these thinkers. It is outright irresponsible and,
I propose, unethical for authors such as Bowden to disregard
the readily accessible resources on these subjects. The omission
of the works of noted scholars such as Nikki Keddie, Hamid
Dabashi, Abdolkarim Soroush, Ramin Jahanbegloo (recently imprisoned
in Iran), Omid Safi, Said Amir Arjomand, Abbas Milani, Ervand
Abrahamian, William O. Beeman, and others, in Bowdens
Source Notes (which laughably includes Azar Nafisis
popular novel Reading Lolita in Tehran! Why?), begs
a thoughtful reader to question his sincerity for understanding
and also causes this reviewer at least, to wonder how five
years of supposed research resulted in what amounts to be
a damaging text to the efforts of those working toward authentic
understanding and reconciliation?
The power of narrative is nothing new. Nor are the stories
(or myths?) we all tell ourselves in our attempts to live
meaningful lives. Bowdens book on the plight of the
U.S. hostages conveniently nestles within the dominant narrative
about the Islamic world in general, and Iran in particular,
that our current government and media promote. In order to
maintain their own suspension of disbelief, so that they are
equally convinced of their own stories, they ignore any competing
narratives, legitimate as they may or may not be. William
O. Beeman, a professor at Brown University, has written a
book truly aimed toward understanding, The “Great Satan” vs. the “Mad Mullahs”: How the United States and Iran Demonize Each Other (2005). Why isnt
his book featured on the front tables of your local bookstore
instead of Bowdens? Is it too thoughtful for a banal
public? One wonders.
Accompanying Bowdens book is a documentary made for
the Discovery Channel. Worse is the likelihood that Bowdens
book will be made into a Hollywood film (as was his book Blackhawk
Down), an even less likely place to find critically distanced
audiences seeking objective truth over and above subjective
consolation and entertainment. Rather than add to our understanding,
as he claimed in the press packet interview to be doing, Bowden
reinforces the static stereotypes and prejudices that prolong
the draught of polemic free dialogue between the U.S. and
Iran. On the precipice of escalating conflict between Iran
and the U.S., I couldnt think of a less useful book
to be published and aggressively promoted than Bowdens.
--
L.P. Omid is a freelance writer based in Washington D.C.
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